Harvest’s End

Apple tree, Penticton, B.C. (Camera: Lomo LC-A 120; Film: Lomography 400)

Click here to read my decidedly mixed review of the Lomo LC-A 120 camera.

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A Decade Shooting Film. Again.

SOLE SURVIVOR My Zeiss Ikon Continamatic III—the only film camera to escape the Great Digicam Purge of 2000.

I had a shock the other day when I realized that it had been 10 years since I got back into shooting with film. I was one of those photographers who jumped on the digital bandwagon pretty early. In fact, I shot digital exclusively for nearly a decade. So what made me go back to film? Continue reading

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Kentucky Lake #4

Kentucky-Alleyne Provincial Park, B.C.
(Camera: Yashica-Mat; Film: Kodak Ektar 100)

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Kentucky Lake #3

Kentucky-Alleyne Provincial Park, B.C.
(Camera: Yashica-Mat; Film: Kodak Ektar 100)

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Kentucky Lake #2

Kentucky-Alleyne Provincial Park, B.C.
(Camera: Yashica-Mat; Film: Kodak Ektar 100)

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Kentucky Lake #1

Kentucky-Alleyne Provincial Park, B.C.
(Camera: Yashica-Mat; Film: Kodak Ektar 100)

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Precarious

Smith Rock State Park, Oregon. (Camera: Hasselblad 503cx; Film: Fuji Acros 100)

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White Lake Aspens

Okanagan Valley, B.C. (Camara Yashica-Mat; Film Kodak Tri-X 400)

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White Lake Basin

Okanagan Valley, B.C. (Camara Yashica-Mat; Film Kodak Tri-X 400)

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Calm Sea and Kelp Bed

French Beach Provincial Park, Vancouver Island, B.C.
(Camera: Agfa Isolette II; Film: Kodak Portra 400)

You can read my review of the Agfa Isolette II here.

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