Some cameras become cult items. Others are much sought after for certain characteristics. But the more cameras I use, the more convinced I’ve become that much of this is simply random. Take the Konica Big Mini. Unless oxymorons have an unusually strong appeal to you, it’s hard to reckon this camera’s near-legendary status. It’s not that it’s not a good camera — it certainly is — but just that it’s no better than lots of others I’ve already reviewed and that have similar features. Continue reading
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