After the Storm

(Camera: Olympus Stylus Epic DLX; Film: Kodak Ektar 100)

We don’t get a great deal of snow here in Victoria, so when we do, it’s quite an event. And perhaps because it’s so rare, it seems especially beautiful. I took this picture after waiting out a sudden squall in the shelter of a big, Douglas fir tree. In a matter of minutes, it was all over and the sky turned a brilliant blue. On the right edge of the photo, you can see the storm retreating across the Juan de Fuca Strait. It was exciting while it lasted.

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Zooming With a Non-Zoom Lens

(Camera: Canon Sure Shot A-1; Film: expired Kodak Gold 400)

Most photographers gravitate towards a one-lens solution, especially for their “walking around” camera.  And more often than not, that one lens is a zoom.  But what if you prefer the crisp images provided by so-called prime lenses? Or, what if your camera of choice  is a fixed-lens classic, or a compact point-and-shoot model without a zoom?  By using a couple of basic, old-time photographer’s tricks, you can combine the versatility of a zoom with the tack-sharp image quality of a single-focal-length lens.

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Favourite Cameras: Yashica FX-3 Super 2000

This was my second camera and my first SLR. It’s also one of the few I ever bought brand new. The year was 1989, and I knew I wanted something basic — no auto focus, auto exposure, no auto anything. But by the end of the 1980s, the world had moved on from the era of the all-manual SLR and few options remained. The only ones I knew about were the venerable Pentax K1000 and this camera, made by the Japanese manufacturing giant Kyocera. Continue reading

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But Is It Art?

(Camera: Yashica FX-3 Super 2000; Lens: Yashica 50mm f/1.9; Film: Kodak Tri-X Pan)

There are some photographic subjects so burdened with powerful associations that it’s difficult to see any representation of them as “art.”  Take, for example, this photograph of a cat.  His name is Beau.  I’ve always liked this portrait, but while in the darkroom printing this negative recently, I wondered if this was art, or simply a competent photo of a handsome tabby?  I think most of us would agree that a portrait can simultaneously be a representative likeness and fine art.  But can a photo of a cat — any photo of any cat — dare have such lofty aspirations? Continue reading

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Brighter Mornings At Last

(Camera: Canon Sure Shot A-1; Film: expired Kodak Gold 400)

Although the days have been getting longer since the winter solstice back on December 21st, from this latitude, all the extra daylight has been added to the evening, with later and later sunsets. If, like me, you hate getting out of bed when it’s still dark outside, then the extra daylight so far has been of little consolation. That slowly began to change a week ago, but it’s this week when things really begin to take off with nearly an extra minute of daylight tacked onto each morning. Sunrise today was at 7:59, but by next Monday it’ll be at 7:53 — 6 minutes earlier. Now we’re getting somewhere! Continue reading

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A Season of Loss, of Sadness

(Camera: Horizon Kompakt; Film: Kodak T-Max 100)


In the bleak midwinter, frosty wind made moan,
Earth stood hard as iron, water like a stone;
Snow had fallen, snow on snow, snow on snow,
In the bleak midwinter, long ago.

In the Bleak Midwinter, by Christina Rossetti.

Posted in Black and White, Nature & Landscapes | 1 Comment

Happy Christmas One and All!

(Camera: Olympus OM-2n; Lens: Olympus Zuiko 50mm f/1.8; Film Kodak Ektar 100)

As of today, the days get longer and the nights get shorter. There’s a lot of winter to get through yet, but we’ve turned the corner. Oh tidings of comfort and joy.

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Macro Tributaries

(Camera: Olympus OM-G; Lens: Zuiko 50mm f/3.5 Macro; Film: Kodak T-Max 100)

I’m struck by how often shapes and textures recur in nature even on vastly different scales. One of the things I most love about macro lenses is how well they distort our perception of the everyday and familiar, and give us new ways of seeing. The details in this close-up shot remind me of early Landsat images of river systems and the spines of mountain ranges. Yes, its’s a photo of a frost-coated leaf, but it’s really all about patterns and structure.

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Apple Appreciation

(Camera: Hasselblad 503cx; Lens: 150mm f/4 Zeiss Sonnar; Film: Fuji Acros 100)

Central Washington was at one time the apple capital of the world and remains one of America’s premiere apple-producing regions. This sign adorns the side of what looks like an abandoned cold-storage facility in the town of Chelan, which is situated about 50 km north of Wenachee along the Columbia River. Probably the same graphic appeared on apple boxes too, back in the day when fruit-box labels were works of art. Today we seem so fixated on unadorned functionality that the idea of decorating an apple box seems like an incomprehensibly quaint concept from a bygone era. And perhaps it is.

And talking of apples, there was a fascinating piece by John Seabrook in the November 21st issue of the New Yorker. Highly recommended reading. It’ll give you a whole new appreciation for this wonderful, everyday fruit.

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Don’t Have a Cow . . .

(Camera: Horizon Kompakt; Film: Kodak T-Max 100)

. . . for dinner. Unless, that is, you’re serving hay and oats. They like that.

This shot is from my second roll with my new, panoramic camera. I’m really enjoying taking in the world in 120-degree-wide gulps. I’ll be posting a Favourite Camera review of this Russian machine soon, so keep an eye out for that.

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