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Film Scanning Basics Part 1: To Scan or Not to Scan

So you’ve finally grown tired of the expense, hassle, and so-so results from your local lab, and have decided to take the plunge and get yourself a scanner. As someone who spends a lot of time producing scans of negatives and slides, I say good choice — taking control of your images is both a lot of fun and deeply rewarding. But it can also be intimidating and confusing. Continue reading
Posted in How To
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Film Photos in Spirituality & Health Magazine
I’m very pleased to see several of my photographs appearing Spiritualy & Health magazine’s special issue, Practice.
Posted in Musings
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Review: Lomography Redscale XR Film

China Beach, Vancouver Island, BC.
(Camera: Belair X6-12; Lens: Belairgon 90mm; Film: Lomography Redscale XR)
One of the basic tenets of the Lomography movement is that photography should embrace random elements. Often this means using cameras with generous light leaks, lenses that eschew sharpness in favour of dreamy distortion, or going forth with a “shoot from the hip” approach to picture making. So when Lomography introduces a new film, it’s not surprising that it aligns nicely with that ethos. Thus we have Redscale — a film purpose-made to generate unusual and random colours. Continue reading
Posted in Reviews
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